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The 1740 map of Belgrade, titled “Belgrad oder Griechisch-Weissenburg” by Gabriel Bodenehr is a highly detailed and politically charged depiction of one of Europe’s most contested cities in the early modern period. Bodenehr, a member of a prominent Augsburg family of engravers and publishers, specialized in city views, battle plans, and fortification maps intended for both military professionals and a politically engaged public. His rendering of Belgrade reflects the city’s strategic importance as the key gateway between Central Europe and the Ottoman Balkans.
The map shows Belgrade at the confluence of the Danube and the Sava, a location that made it both a commercial hub and a formidable fortress. Bodenehr carefully illustrates the Upper Fortress (Kalemegdan) and the Lower Town, with their bastioned walls, gates, moats, and artillery positions clearly delineated. The riverbanks, islands, and surrounding terrain are also mapped, emphasizing how water and topography shaped the city’s defenses and the movement of armies. Roads, bridges, and camps in the hinterland suggest the logistical networks required to hold or besiege the city.
By 1740, Belgrade had recently passed back into Ottoman control after being held by the Habsburgs from 1717 to 1739. This context gives Bodenehr’s map a strong geopolitical dimension. It is not merely a city plan but a military intelligence image, showing exactly how and where the fortress could be attacked, supplied, or defended. The German title “Griechisch-Weissenburg” reflects older Central European naming traditions, linking the Ottoman-era city to medieval Christian geography.
Stylistically, the engraving combines technical precision with baroque clarity. Fortifications are drawn in crisp perspective, buildings are neatly ordered, and explanatory legends provide orientation. The map was designed to be both informative and persuasive, reinforcing Central European interest in the Danube frontier.
Bodenehr’s Belgrade thus stands as a visual document of a city defined by empire, war, and borderlands—an urban stronghold whose fate symbolized the shifting balance of power between East and West in the eighteenth century.
Materials
Materials
Cotton canvas, matte photo paper, fine art paper, pigmented inks.
- The canvas it's 99 % cotton, 450 gr/sqm;
- The matte photo paper it's acid-free (archival paper), 190 gr/sqm;
- The fine art photo paper it's satinated (semi-glossy), 140 gr/sqm.
Shipping & Returns
Shipping & Returns
Dispatching time: 1-2 days.
* Standard shipping fee: The orders will be sent by priority registered mail, usually via client National Post (USPS, Canada Post, Royal Mail, LaPoste, Deutsche Post, PostNL, etc). The delivery times are not guaranteed, sometimes it will take longer and these are beyond our control. Tracking number will be provided. Clients from US and Canada cannot track the parcels as the tracking numbers are not rolled in USPS and Canada Post systems.
* UPS standard: The orders will be sent with UPS expedited option. The delivery time it's between 5-11 days. Tracking number will be provided after dispatch.
* UPS express: The orders will be sent with UPS express saver. The delivery time it's between 4-7 days. Tracking number will be provided after dispatch.
Framing tips
Framing tips
Both type of materials, paper and canvas prints come rolled and will be need to be taken to your local framers.
The image it's printed with a border of 0.6 " (1.5 cm), for framing purposes only.
If you have already a frame, be sure you send us the exact size of the print that will fit inside the frame. We're printing on vectorial plotters so the size could slightly be more or less with 0.4" (1 cm).
If you plan to have the canvas print stretched on wooden frame, you'll need additional border, so please let us know after placing the order.
The images above was cropped from the image at the biggest size available (keeping the best quality and aspect /ratio), so, for good details please choose biggest dimensions that will suit your preferences / space.
Care Instructions
Care Instructions
The print media (canvas or photo paper) could be cleaned only with a dry, soft cloth.
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